est un salaud by Marcel Gisler (Switzerland, 1998), and Der Kreis (The Circle) by Stefan Haupt (Switzerland, 2014). For starters, there are Daniel Schmid’s films, F. Needless to say, the research should also be extended to Switzerland and Austria. Many German co-productions transcend the usual native-white framework, for example the Turkish-German feature film Lola + Bilidikid by Kutluğ Ataman (1998) and Wanuri Kahiu’s Rafiki (2018), a German co-production with Kenya and South Africa. Looking up the filmography of the directors mentioned here is highly recommended as is discovering films based on the comics of Ralf König, art and experimental filmmakers such as Michael Brynntrup and Bjørn Melhus, old masters such as Heinz Emigholz and Werner Schroeter, and feminists including Maria Lang, Ute Aurand, and Ulrike Zimmermann who in 2014, with Vulva 3.0, delivered an extraordinary film on female genitalia. Far from being exhaustive, this list is intended to encourage further research.
